![]() ![]() ![]() Per the Hedge philosophy, features should always cater to 80% of its user base.Īs we looked at our roadmap for the coming year, it became clear that many of the remaining feature requests are starting to create a bit of tension - while making a lot of sense, they are only useful to a subset of the EditReady customer base. Many of those upcoming features however, are for the 20%. Adding those features to EditReady would only add complexity and cost for those not needing it. We want to be able to focus on both ease of use, speed, and help our pro users with complex workflow needs. This is why we've decided to make three versions of EditReady, each tailor-made for different needs.ĮditReady will continue to be the world’s fastest, easiest-to-use transcoder for video pros. To this end, we focused our last release of the year on quality-of-life improvements.ĮditReady 22.4 adds the often-requested option to map file creation dates to timecode metadata. If you get footage from a DSLR or mirrorless stills cam that doesn't write timecode, you can now fake a time of day timecode track by using the file’s creation date. We've also added RED anamorphic support, improved the stability and speed of ARRIRAW playback and transcodes, and added 100p to the retiming tool. The brand-new EditReady Pro will focus on niche camera support and using EditReady as part of multi-app workflows. We're shipping EditReady Pro 22.4 today with support for Phantom CineRAW. It supports playback and transcoding of Phantom files to ProRes or DNxHD with the push of a button. ![]() High-speed proxies, made quickly and easily. We have a lot more planned for 2023, and we're excited that a Pro tier opens up the possibility of adding some of the recurring feature requests that we’ve been wanting to build for a long time, but didn’t have a good place in the regular EditReady.Īs with Hedge Pro, upgrading an existing EditReady license is easy and affordable. Lastly, we're pre-releasing a new EditReady Server. By the same developers as the old "ClipWrap," EditReady will take HDV-M2T media, identify spanned clips, and allow you to either "rewrap" them into a HDV-MOV file that you can link to (if you have the HDV QT component installed - install a Final Cut Pro trial to get it!), OR you can also allow EditReady to transcode that media into ProRes, or Avid DNxHD/DNxHR, so that you can link and consoiidate it.It's meant for use in headless workflows like automated ingest, proxy generation for asset managers, and more. The other way is to use a third party tool (careful with these, there are some good ones and some shady ones out there), to rewrap and/or transcode your media, into continuous clips. There are a couple of ways to handle this - for one, you can just import the files and use them as they are - as individual clips. Therefore, you end up with multiple clips in your bin even though it's for one continuous file. The downside is that there's no good way to handle clips that span multiple files (usually due to a file size limit on recording media). For HDV, the old "import" is usually best - and it'll "fast import" by simply rewrapping the media to Avid HDV MXF, without transcoding, so it's fast. A very rare exception, maybe the ONLY exception, is HDV. Nowadays, you're correct that linking (formerly AMA) is usually the preferred way to bring in video. The M2T container can contain many different kinds of actual formats, but I assume HDV is the format here given that's the format of the tape. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |